Gandhanra Old Tibetan Niang La Tsa Tsa Statue,Stupa Amulet,Pagoda Pendant,Small Size 48mm,50 Years Old

❤ This Niangla Stupa Tsa Tsa Statue is handcrafted by Tibetan artisans, blessed in Gengqing Monastery,Derge County,Tibet, made of clay,painted and gilded,about 50 years old. You can make it into a amulet pendant, or just put it on your desk,as an ornament. ❤Details Pattern: Mantra of ཨཽ ཨཱཿ ཧ, represents Buddha's body, speech and mind Material: clay Craft: Manual mold,kiln burning,Painting Color:brown Height about 48mm / 1.89 inch Width about 26mm / 1.02 inch ❤You'll get 1pc large cross vajra tsa tsa as pictures shown. ❤ABOUT TSA TSA Tsa Tsa (Tibetan: ཚ་ཚ་, Willy: tsha tsha; Sanskrit: satchāya; Pali: sacchāya or sacchāha), a small mold-releasing clay sculpture in Tibetan Buddhism. Tsa Tsa originated from India and was introduced to Tibet in the seventh century. It is extruded through a metal mold, and the cement is mixed with wheat grains, treasure powder, spices or the ashes of the monk. The patterns on it were mainly in Indian style in the early days, such as the Sky Tower, Gate Tower, Bodhi Pagoda, and the mantras of the Prajna Paramita Heart Sutra. Later, Tibet began to make its own molds, and the patterns of gods and Buddha images and the six-character mantra began to replace the earlier Indian style. Tsa Tsa is generally placed in the pagoda as a stupa, or placed in a special "Tsa Tsa kang", or enshrined in temple halls, mani piles, monks' cultivation caves and other places. ❤ABOUT SCORPION GURU (Padmasambhava) The scorpion is symbolic of the power of transformation as the scorpion is known as the most dangerous and destructive creature. Because every aspect of duality—no matter how viciously deranged—remains undivided from the nondual state, even the most horrific states of mind can be transformed. Padmasambhava received the siddhi of the kīla transmission from a gigantic scorpion at the charnel ground of Rajgriha: The sting of the scorpion's whip-like tail transfixes and poisons its prey, and in this respect it is identified with the wrathful activity of the ritual dagger or kīla. Padmasambhava's